Activity 3.1
Use
paint to make a range of different greys
I've begun a new sketchbook, and I've upgraded myself to an A4 size, because I think the bigger pages will make for easier working. However, they are more awkward to photograph, so I'm scanning them in to the computer, and I'm sorry to say the reproduction is not brilliant. On the plus side they are straighter than my photos!
Anyway, I'll start by saying I found this really, really difficult, and I’m not sure why I got in such a mess with it. I loved mixing colours to tones, tints and shades, and creating new colours from the three primaries, but producing greys was a total nightmare, and I couldn’t get the hang of it all, apart from mixing black and white, which is simple.
Anyway, I'll start by saying I found this really, really difficult, and I’m not sure why I got in such a mess with it. I loved mixing colours to tones, tints and shades, and creating new colours from the three primaries, but producing greys was a total nightmare, and I couldn’t get the hang of it all, apart from mixing black and white, which is simple.
But
after that it was all downhill all the way. Mixing red, yellow and blue was a
disaster, as was mixing two complementary colours and then adding white. Mostly,
whatever I mixed, I ended up with the kind of nasty, dirty khaki that very
small children produce by sloshing every different colours of poster paint on
the paper and letting it all run together.
With
practice I progressed and produced… Colours! Browns, greens, purples, blues,
all rather dull, with a greyish tinge maybe (if you look closely), but
definitely not grey, as you can see below.
At this point I was so frustrated and disheartened I bought a tube of Payne’s Grey watercolour, and played around with that, adding water, to reassure myself that proper greys do exist:
Then it was back to the mixing pots to try again, but when I did produce grey it was more by good luck than good management, and because I wasn’t organised, and didn’t keep proper notes to start with, I had no idea what I’d done, so I have these mystery cards:
So then I tried writing notes on the back of each card, but it’s difficult to
write on one side when there is wet paint on the other. Finally, I made little
samples, with splodges of paint and notes, like this:
And
I tried to keep track of what I was doing by numbering the back of the cards
before I started painting, and keeping a key as I went along. This was a better
method of working, and in the end I did mix quite a number of greys, but I didn’t
seem to be able to record the proportions of paint and water used in any
meaningful way, and found it impossible to reproduce any of the colours. Whatever
the reason, it was very annoying.
To
make matters worse, some of my greys looked fine when the paint was wet, but
dried to a completely different colour, and sometimes as they dried the paint
seemed to separate out into its constituent colours. I assume this was due to
inadequate mixing, or not cleaning the brush properly.
I
haven’t got a good range of greys, but I did establish that mixing warm colours
produces warm greys, while mixing cool colours makes cool greys, and you have
greys with a blue tinge, green tinge, yellow tinge etc. Anyway, here is a photo
of my painted grey cards:
Overall
I felt very frustrated and disappointed with this exercise: the results were
unpredictable, and I seemed to have no control over what was happening. It’s
ironic really, because in Activity 2.3 I managed to produce grey without even
trying! I feel really stupid and ignorant, and would welcome any advice on
mixing greys!
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